The DeMonster x Pages and Panels Favorite Reads Of 2025
Its a big list! (40!) you're welcome <3
The teams at The DeMonster and Pages and Panels read a lot of comics–like a ton. And while not every comic may get a formal review, that doesn’t mean we won’t take a chance to highlight favorites from 2025.
We joined forces to compile our favorite reads of the year, some released this year and some in previous years, and to celebrate what inspired us and may even become your next favorite story.
The DeMonster
The DeMonster Reads (in alphabetical order), and yes we do have favorites that overlap with Pages and Panels—what can we say, we are in good company!
Buckle up and get ready to add these titles to your TBR, if you haven’t already!
Absolute Batman. Creative Team: Scott Snyder, Nick Dragotta, Frank Martin, Clayton Cowles. Published by DC Comics.
What’s great about Absolute Batman is that it begins in such a ludicrous fashion. Not a stealthy ninja in the shadows, but as a giant, oversized brawler with a chest axe, crashing headfirst into crime. This is a new Batman with a different approach. Someone always advancing forward and on the attack, both in his striker-style, but also…because in Scott Snyder’s pursuit of defining what it means to be Batman, he went…Batman as Fuck, or as Alfred (Scott’s voice in the comic) calls it, Batman A.F.
The book answers that fundamental question of why Batman, and by proxy, superhero comics, need to exist. It’s a call to action. No fortune. No polish. Just a victim of a failed system and a kid turning that pain back upon those who exploit it; a voice of rage reflective of our own time…where institutions fail, authority dictates, and the future feels utterly obscured.
Now, none of this works without Nick Dragotta. His art not only illustrates the bombasticness of Batman, but also weaponizes this reimagining as a tool to be used against evil. Battle not with monsters lest ye become a monster, etc. In this way, Dragotta’s Batman is massive and mythic, his villains being living catastrophes that push the story beyond grim/dark into something more… operatic in nature.
In 2025, the Absolute Batman stories have only escalated, with increasingly unhinged reinterpretations of familiar friends and villains, pushing the book into full-blown horror. Beneath it all, A.B. continually forces Bruce to reflect upon his actions, not through shallow explorations of his own philosophy, as this is not a brooding Batman, but rather, learning through taking action, and the inability to stop attacking the terrible things that plague Gotham, no matter the cost.
Most recently, the Bane arc culminates in what may be the most body-horror-inflected Batman story ever produced, with Ark M. monstrosities like something ripped straight out of Resident Evil. But my favorite take? The Joker, as a billionaire monstrosity and avatar of entrenched privilege. If you haven’t seen it…It’s absurd, utterly terrifying, and intentionally impossible, showcasing the best of what comics can do when they push beyond their limits.
Here there be monsters.
Among them stands Absolute Batman.
- Christian Angeles
Absolute Martian Manhunter. Creative Team: Deniz Camp, Javier Rodríguez, Hassan Otsmane-Elhaou. Published by DC Comics.
The story of John Jones is unlike anything we’ve seen, let alone from rising all-star talent, Deniz Camp. A blown-up FBI agent who may or may not be an alien or may or may not be losing his sanity, he navigates a world that constantly tests his psychic abilities. What’s neat is how it’s all depicted in a way that only comics can, inhaling the toxic swirl of the universe while discerning everyone’s inner psychology. His ability to separate reality from emotional perception is brilliant. Two identities inhabiting one body. Utterly profound.
Similarly, Javier Rodriguez shines in ways we haven’t seen before with his art. The colors are vibrant, and his use of space is divine, with action sequences flowing while psychic powers manifest in luminous, almost sacred ways. Thoughts feel invasive, very smoke stinging your eyes, but it’s a method reinventing Martian Manhunter while challenging readers to rethink how they see color.
Camp’s writing adds emotional depth layered in the fog behind it, with themes exploring John’s vulnerabilities. The strain on his marriage. The fracturing of identity. Making this both a spectacle and a deeply human story. It’s a must-read story this year that lingers in the mind long after the final page is turned and shines through the spotlight. *wink*
- Christian Angeles
Absolute Wonder Woman. Creative Team: Kelly Thompson, Hayden Sherman, Jordie Bellaire, Mattia De Iulis. Published by DC Comics.
The Absolute Universe is thrilling, and Christian Angeles did a stunning job summing up a couple of their best titles in this article! But truly, Absolute Wonder Woman has a very special place in my heart.
This is the premise, are you ready? Wonder Woman is the Princess of Hell in this universe, and was banished from Themyscira as a baby and raised by Circe. Still, this is one of the most Wonder Woman-y stories I have ever read. Thompson does a great job of capturing the core essence of her character while keeping her origin fresh and relevant. And the world-building, kaijus, and bad-ass weapons and armor by artist Hayden Sherman and colorist Jordie Bellaire are out of this world!
Watching the power of kindness inspire even the darkest monsters of hell is the spirit of Wonder Woman! You can’t help but feel hopeful when reading this tale. And the badassery of Diana’s arsenal of dark magic and weapons really brings this cool-factor of this story to life! And, I think my favorite part is the kind yet stern way that Diana interacts with all the people around her. Through her eyes, you can’t help but to love humanity. And the fact that Wonder Woman is fighting giant monsters while riding a skeleton Pegasus—it is just so damn cool.
- Sami DeMonster
Adventure Time: The Bubbline College Special. Creative Team: Caroline Cash. Published by Oni Press.
Adventure Time is one of those timeless cartoons that will always have a story to tell. If you’re a fan of the franchise, then you already know Adventure Time: Fionna and Cake season 2 is airing right now on HBO Max, and it’s awesome! That, paired with the fact that Oni Press now has the rights to the IP, means Adventure Time comics are back in print with more to come. I’m hoping this will be an Adventure Time renaissance!
Adventure Time: The Bubbline College Special revisits the animated series through a fresh lens while still tapping into those nostalgic feelings. In this giant-sized one-shot by writer and cartoonist Caroline Cash, we are transported to the earlier seasons of the show, but with a twist.
In true Adventure Time Fashion, the story is a fan-fic fueled alternate timeline where Bubblegum and Marceline meet in college. This is a fun and adorable stylized comic that gives us some enemies-to-lovers sapphic romance, with so many people’s OTP. There are a ton of easter eggs and references to the show that tie Adventure Time: The Bubbline College Special brilliantly to the original story while giving fans something new. And Cash’s art in this book? Absolutely perfect for the tone and world of Adventure Time. I think Oni Press would do well giving Caroline Cash a limited or ongoing Adventure Time series! I want moreee! (It sold out and got a second printing!)
- Sami DeMonster
Armored. Creative Team: Michael Schwartz, Ismael Hernández, Ferran Delgado. Published by Clover Press.
A dark fantasy for teens that’s even darker than it first appears, this book follows the journey of thirteen-year-old Andy Taylor, a recent orphan whose parents vanished just one year earlier. He is adopted by a couple, who are grieving and still mourning the loss of their son, Myles. Yet, when Andy begins investigating Myles’ death, he discovers a crypt beneath a castle and an old suit of armor, magical in nature. One that’s haunted by the ghost of Sir William, a former knight.
With a spectral mentor guiding him, Andy must master the armor’s abilities to confront the force that killed Myles and uncover the dark secret behind its magic. It’s like Stranger Things but with Ghost Knights. Plus, the watercolors by Ismael Hernandez look stunningly beautiful, really accentuating the line art. It’s easily one of my top indie picks of the year. I even tabled across from Michael at Zapp Con in NJ this year. He’s a really cool guy.
- Christian Angeles
The Autumn Kingdom. Creative Team: Cullen Bunn, Christopher Mitten, Taylor Esposito. Published by Oni Press.
Buy it if you like dark fantasy in a Hellboy style and want to see two young girls slash through European-inspired fae-monsters with giant swords. The Autumn Kingdom, by Cullen Bunn and Christopher Mitten, is a dark fantasy that pairs quiet, falling-leaf sensibility with striking seasonal artwork. A nice mixture of atmosphere meets artwork and a lot of promise for more.
The premise: fantasy novelist Andrew Kier takes his family on an idyllic vacation at the edge of a lush Swedish forest, hoping to finish his latest book. Suddenly, a horde of fearsome fae creatures attacks their cabin, kidnapping Andrew and his wife, Melissa. Their young daughters, Sommer and Winter, escape and stumble upon a mysterious giant sword that grants them the power to fight back and rescue their parents.
It’s tense, magical, and visually stunning. A perfect mix of suspense, action, and dark fantasy.
- Christian Angeles
Daredevil: Cold Day in Hell. Creative Team: Charles Soule, Steve McNiven, Clayton Cowles. Published by Marvel.
Oh man… It’s Old Man Daredevil. For those who don’t know, Daredevil ranks in my top three favorite Marvel characters. Following the path of other Marvel “Old Man” stories, like Old Man Logan, Hawkeye, and Star-Lord, this is about a long-retired Daredevil years into a future in a world that’s changed.
The book starts as an examination of Matt’s life after losing his powers, practice, girlfriends, and just everything that defined his character; as his rusty yet charming old self is there to witness a radioactive bomb go off, which reactivates his daredevil powers. Albeit, only temporarily. Now, Matt has to stop another catastrophic event from happening, encountering old friends and foes along the way.
Now, so much of this is reminiscent of Dark Knight Returns, but with a few creative differences. Charles Soule’s story emphasizes themes about the passage of time and aging, that feeling one gets of feeling worn and tired. Someone far too old to be doing this, but having to do it anyway.
It’s also got poignant messages lettered by Clayton Cowles, and artwork by Steve McNiven that’s as gritty and gruesome as it gets, featuring lots of lines and lots of wrinkles. There’s also a lot of creative panel design work reminiscent of DK Returns in that - there’s a lot of them, though in each, it features a detail meant to mimic cadence and emotional response. Timing and sensory overwhelmment. Not unlike Matt’s own experience sensing the world as Daredevil.
I love this comic. Its only problem was that the run was much too short.
- Christian Angeles
Drome. Creative Team: Jesse Lonergan. Published by 23rd Street.
As I told everyone at the 23rd Street Books party, I’d be shocked if Drome doesn’t win Graphic Novel of the Year. Critics are already calling it one of the most ambitious and visually breathtaking graphic novels of 2025, and those accolades are well deserved. Jesse Lonergan experiments with form through inventive design and striking colors that give the story a pulse unlike anything I’ve read before.
What makes it truly work is how it delves into existential themes through its creation mythos and sparse dialogue, exploring themes about war, love, death, and the fragile balance of co-existence between chaos and order. Minimal text allows the images to carry the emotional weight, making the book immersive and unforgettable. Multi-panel layering creates tension and rhythm rarely seen in modern comics, challenging the reader while remaining emotionally resonant.
It is a work of art that redefines what comics can be and may well be the best comic of the year. A genuine experimental artist book meant to leave you thinking…
- Christian Angeles
Everything Dead & Dying. Creative Team: Tate Brombal, Jacob Phillips, Pip Martin, Aditya Bidikar. Published by Image Comics & Tiny Onion.
If I were to describe this series in one anecdotal sentence, it would be this: a hauntingly beautiful punch in the heart—with zombies!
This story follows Jack, the lone survivor of the zombie apocalypse in his small town. He is mourning the loss of the life he once had and, most of all, his husband and daughter; the family that he fought so hard for as a queer man. How does he cope? He keeps them alive—well, undead—and goes about his days as if everyone he knows were still alive.
There is an echo of humanity still in these zombies; they’re following patterns that they remember from being alive. For example, every morning, the mailman still shows up just like he did when he was delivering mail. The ways that Jack cares for these zombies is insane and adds a lot to the worldbuilding.
But then…one fateful day, survivors show up and view Jack’s undead loved ones as a threat. Which, honestly, is a valid reaction. But no, don’t touch this man’s family! Pleaseee! I find this concept fascinating: a man immune to the virus living among the zombies! If you loved Bill and Frank’s episode in The Last of Us series, then you are the target audience here. Brombal’s cinematic storytelling, coupled with Phillip’s bold artwork, transports you to a thrilling world that will keep you on the edge of your seat!
- Sami DeMonster
Exquisite Corpses. Creative Team: James Tynion IV, Michael Walsh, Jordie Bellaire, Becca Carey. Published by Image Comics & Tiny Onion.
Exquisite Corpses is not only a thrilling comic with a very human story at its core, but it is also pushing the boundaries of the comic book medium. Created by James Tynion IV and Michael Walsh, together these two created the story and characters as well as wrote the first issue, then passed along the writing and illustration duties to a team of incredible creators–the Corpse Crew. They developed season one by outlining the story in a writers’ room where they literally played the game (early stages of the card game launching next year), to determine the fate of the characters. Tynion has said that this was inspired by the writers’ rooms he was part of when writing large-event superhero comics.
The premise is this: every 5 years on Halloween, the 13 richest families in the United States play a game. They send the deadliest killers they can find–from deranged serial killers to skilled assassins—in an arena to compete in a battle royale. The prize? The family that wins gets to rule the US (secretly) for the next five years. The arena? A small town where the innocent inhabitants have no idea what’s coming for them. Sure, fans are rooting for their favorite (and very stylized) killers as if it were a sports game, but the heart of the story is about the people of the town trying to survive the night. Walsh’s character designs are unmatched, and you can’t help but love these killers! It’s like The Hunger Games x The Purge with some Ready or Not elements and Stephen King vibes. In true Tiny Onion fashion (James Tynion IV’s production house), Exquisite Corpses is incredibly cinematic. The first volume is out now, and I have to say, I’ve gifted a couple of copies for the holidays–it will cure anyone’s reading slump or convert the casual comic reader you may know!
- Sami DeMonster
Ginseng Roots. Creative Team: Craig Thompson. Published by Pantheon Books.
Craig Thompson makes an intimate return to the Wisconsin fields where he grew up in Ginseng Roots. From the legendary artist behind the 2003 hit Blankets, this comic blends memoir, family history, and curious insights into an exploration of ginseng farming. At its heart, it’s about his own roots. The personal, cultural, and creative foundations that shape us. The work is artistic yet quietly textured, full of humane and reflective moments and a lot of surprising anecdotal tidbits.
Thompson also uses the platform to reflect upon his own career, his aging, and how the world has shifted around him, and not just in comics. He examines childhood, labor, and the ways economies shape families, turning everyday memories into something universal.
Similarly, the art is deeply detailed, grounded in the fundamentals of comics, with every panel feeling hand-crafted. Simple, expressive, and quietly beautiful. Frankly, Ginseng Roots is an honest and deeply observed portrait of life from one of the greatest memoirists in comics today. A must-read.
- Christian Angeles
Hello, Darkness. Anthology. Published by BOOM! Studios.
Going strong since mid-2024, Hello Darkness continues to be a quintessential horror anthology that celebrates the genre. From big names like Garth Ennis and Becky Cloonan to R.L. Stine, this series also spotlights creators you may not be as familiar with!
The wonderful thing about an anthology format is that you get a little of everything—and horror has a lot to offer. From killer aliens to demons that will haunt your dreams…and an interstellar hamburger god? Hello Darkness has so much to savor. This is also great for those who have been wanting to dip their toes into horror, or comics, or both!. A few volumes are out, and it’s a very binge-able series! *wink wink*
- Sami DeMonster
Lilith. Creative Team: Corin Howell, Warnia K. Sahadewa, Jim Campbell. Published by Vault Comics.
This series has me in a chokehold, and I love it! It’s supernatural, it’s gory, and it’s sexy—it’s everything I love wrapped up in one beautiful package. As creator Corin Howell likes to say, this story is for those who think Jennifer from Jennifer’s Body did nothing wrong!
Lilith follows the story of the titular character, an immortal being, a “demon”, who is stuck on earth from her hell-like dimension. She works as an alternative model and keeps her appetite satiated by eating humans. Her favorite flavor? Usually, shitty men who are probably better off dead.
One day, Lilith meets a bookish girl named Penelope, whom at first, she finds unbearably annoying. She is also pretty hungry, and considers eating Penelope for dinner. That is, until Lilith discovers Penelope has a book that could get her back to her dimension–one she needs Penelope’s help to read. With ulterior motives, Lilith decides to keep Penelope around. As they grow closer, their lives become intertwined as they face the threat of monsters and demons from Lilith’s home dimension coming after them.
And then the strangest thing happens…Lilith begins to like Penelope? I sense some romantic sparks flying! I can’t wait for the second story arc because, yes, there will be more Lilith!
Howell’s stunning work is brought to life with splashes of red from colorist Warnia Sahadewa. Also, expect some comedic elements similar to anime and manga. This is also a book I’m constantly buying for my friends as gifts—especially for those who are more casual comic fans, because this one will undoubtedly convert them!
- Sami DeMonster
Marian Heretic. Creative Team: Tini Howard, Joe Jaro, Walter Baiamonte, Jim Campbell. Published by BOOM! Studios.
This series is for the girls, the gays, and the theys…and those who love bad-ass women fighting monsters! With only 3 issues out, this already is one of my favorite series.
This is the story of Marian, a Mother Superior who led her sisters down a heretical path. Their sin? They believed Mother Mary was a goddess in her own right, and they worshiped her as one. Which is a historically real thing—Collyridianism. As punishment, Marian has been turned into a weapon for the Holy Father Church. Now she hunts witches in the city of Vespers with her monstrance, which gives her powers. One day, Marian meets a witch who points out they really aren’t too different, and that’s when this story really begins.
Marian Heretic features powerful, sexy women, but through the lens of the female “gaze”. And of course, Marian Heretic explores themes of rebellion, especially against a corrupted religious institute. And did I mention it is steeped in sapphic undertones? Ohhhh yes. I count down the days until each new issue drops. I need to see what happens with Marian and Raveena!
The pacing keeps you on your toes, and the worldbuilding is breathtaking. In an interview I did with Howard, she described the city of Vespers as Gotham City meets Vatican City. The gothic architecture, armor, and weapons are masterfully brought to life with Jaro’s stunning artwork. Have this one in your list, it’s so popular it sold out on a distributor level before issue #1 even hit shelves!
- Sami DeMonster
Resurrection Man: Quantum Karma. Creative Team: Ram V., Anand Radhakrishnan, Butch Guice, Aditya Bidikar, Mike Spicer. Published by DC Comics.
I was drawn to this title because I am a huge fan of Ram V’s work. And, as many of his stories do, this follows the humanity of a character who is immortal. Resurrection Man: Quantum Karma is what can only be described as Lovecraftian horror through an Eastern lens with Indian and Buddhist mythology and imagery (like the concepts of Samsara and Karma!) You’ve never seen a superhero story like this before.
This story follows Resurrection Man, currently going by the name Mitch Shelley, who always resurrects after each death. The cause of his death determines the abilities he will wield next—for example: death by fire would mean he gets fire-bending abilities! But what happens when this hero gives it all up to live a normal life? To grow old and have a family? What does death by time get ya? It gets you the power of time! Now every life he ever had, every memory ever lost, comes flooding back in, and we get to explore his very human life full of highs and lows, life and death, war and peace!
The story really begins when Mitch meets a powerful being from another reality, and what follows suit is an existential journey that is absolutely breathtaking, with art by Anand RK with colors by Mike Spicer—exploring questions like what is the meaning of life if you live forever? And are humans doomed to be trapped in cycles of suffering? Every time you reread this story I reckon you’ll gain something new or notice a new detail!
- Sami DeMonster
Something is Killing the Children. Creative Team: James Tynion IV, Werther Dell’Edera, Miquel Muerto, AndWorld Design. Published by BOOM! Studios & Tiny Onion.
This series continues to be one of my favorite comic book series of all time. And fans have been celebrating the recent announcement that the series is going to be adapted into both a live-action Blumhouse film and an Animated Series!
Here’s the premise: Monsters are real, and only kids can see them. These creatures are created from the overactive imaginations of children. The Order of St.George is a secret organization of monster hunters that, unfortunately, prioritizes keeping monsters a secret rather than actually saving people, which includes killing off witnesses. So, yeah, something is killing the children, and that thing is both monsters and monster hunters.
This story follows Erica Slaughter, who is constantly rebelling against the order to save as many lives as she can. Erica is equal parts empathetic and badass. The alluring world of the Slaughter-verse is expansive, which includes the House of Slaughter series and multiple one-shots.
We are currently in what I like to call The Prequel Era. This arc follows Erica’s journey as she is a young teenager training at the House of Slaughter under her mentor Jessica, who we have not seen in a while. Between revisiting past characters and seeing Erica and Jessica’s relationship, there’s a lot to love about this arc! Tynion is a pioneer in modern horror comics and, as always, his work reads incredibly cinematic. The world-building is brought to life by the stunning art of Dell’Edera, who was the one to design the bandana with the teeth—leading to the incredible sorting system within the world!
- Sami DeMonster
Tongues, Vol. 1. Creative Team: Anders Nilson. Published by Pantheon Books.
On an artistic level alone, Tongues is breathtaking. Stylish linework and rich color render balance the surreal with the gritty, creating an experience that makes us question the playful yet serious nature of the universe. At its core, the book is an odd retelling of the Greek tale of Prometheus, filtered through a distinctly metaphorical lens that examines nature, higher powers, and humanity.
Tongues also interrogates the Westernized notion of storytelling, including Monomythic story circles and other narrative conventions. If you’re interested in philosophy or Greek mythology told through a fresh lens. One that contemplates the fragile nature of mortality within the vast universe. It’s a book that lingers in your mind and leaves you pondering the big, important questions about life.
- Christian Angeles
Ultimate Spider-Man. Creative Team: Jonathan Hickman, David Messina, Marco Checchetto, Matt Wilson, Cory Petit. Published by Marvel.
This one’s hard to write about. Ultimate Spider-Man has been my favorite Marvel comic book in the past two years, and I’m still in denial and even sad that it’s ending. Much of the series has focused on build-up and character development rather than nonstop action. If you’re following, you know what this is: a revisionist take on Peter Parker’s life, revisiting classic villains and exploring his world in a way that feels fresh. Sort of a Peter B. Parker story. It’s a book about what it means to be Spider-Man later in life, reimagining Spider-Man’s origins and introducing what it’s like to have the love, support, and power of friendship from his supporting cast. Which sounds basic… until you remember the incessant suffering that has been Spider-Man’s life.
Whereas some critics have cited Jonathan Hickman’s writing as slow - I call it… a welcome normality. A story in which Peter is living with people who care about him while juggling the responsibilities of being there for them in return. Every one of the cast has a surprisingly interesting arc. The book relies on defying expectations. Because even though it features the usual Kingpin and evil rogues story plot, added in with a dash of The Maker’s big bad storyline, it’s not the conflict/bad guy that makes this story unique; it’s what’s at stake that’s different. Because for once, not just for the sake of editorial… Peter feels like he has something to lose. He cares about these well-rounded characters whom we’ve learned to love.
Thus, the pacing is there to develop character and relationships: the side character ensembles, the paper, the family, Gwen, and Harry. It works because Ultimate Spider-Man does something remarkably difficult, redefining one of the most overexposed characters without losing what makes him essential. It’s about the weight of choices, responsibility, and the realities of caring about parenthood; the last of which is really who this book is for: Millennials with kids. Or kids. A family-friendly and focused book for both.
There’s a lot here to warrant its own universe. The Parker family, The Mysterios, Green Goblin, The Spider-Men (won’t spoil that), and even the two old geezers running the paper, trying to make a difference in the world, which, not gonna lie, reminds me of what I’m doing here with Sami.
But what I love about all of it is that it feels new for a property that’s done everything. Combine that with Martin Checchetto’s grounded, expressive art that reinforces humanity, and this world feels alive. Refreshing. Encouraging. And more importantly, hopeful.
Which is why I’m sad it’s ending.
- Christian Angeles
White House Robot Romance. Creative Team: Chip Zdarsky, Rachael Stott, Tamra Bonvillain, Ariana Maher. Published by DSTLRY.
The name might be enough to hook ya, or maybe convince you this is a surface-level comedy—but this one has layers. This is a forbidden love story about robots fighting for their autonomy!
Service-1 and Chef-9 have their duties in the White House and have gotten to know each other in passing as a result. But, everything changes when Chef-9 learns that Service-1 is going to be decommissioned—pretty much robot death. And that’s when Chef-9 begins to wonder…what these feelings are for Service-1 and if they might feel the same back…
White House Robot Romance explores a lot of concerns many have for the rise of AI—if they become sentient, what will their fate be? What will ours be? You can’t help but feel bad for these poor robots who have no freedoms of their own!
And all the while, this story does follow the human characters as well, and the intense political climate that pits the US against Canada. You will notice many parallels between our own politicians and the ones in this world, unfortunately! Zdarsky is a master and what they do, and Scott illustrates so much emotion within these robots that will make you shed a tear or two!
Who would have known in 2025 I’d be shipping two White House Robots!
- Sami DeMonster
You Must Take Part in Revolution. Creative Team: Badiucao, Melissa Chan. Published by Street Noise Books.
You Must Take Part in Revolution is being featured for one very clear reason: it’s about fascism, and we live in unspoken fascist times. The first graphic novel by writer Melissa Chan, the writing blends dystopian world-building with deeply human stakes, all inspired by her own career as a political journalist.
The story follows three idealistic friends living in a world teetering on the edge of techno-fascism, forced to confront authoritarianism, war, and their own evolving ideas about resistance. Set in a near-future where China and the United States are ruled by techno-authoritarian superpowers, it tackles pressing issues: the erosion of freedom, censorship, and life under constant surveillance, while drawing tense comparisons between the two nations and their histories.
The narrative also explores the ethics of protest, as the characters’ choices ripple far beyond the final page, capturing teenagers navigating moral complexity in a world shifting violently around them—a struggle many young people face today.
Atop this, Badicao’s stark, expressive black-and-white visuals, punctuated with splashes of red and yellow, infuse the book with kinetic energy that mirrors its themes. It’s an informative, unapologetically punk work, delivering stories of despair and hope from a world that feels uncomfortably close to our own.
- Christian Angeles
Pages and Panels
Make no mistake, the Pages and Panels team had a really hard time picking just 20 titles for our favorites of the year, but below are the series that truly impressed.
The Circuit. Creative Team: Francisco Jimenez, Andrew J. Rostan, Celia Jacobs. Published by Clarion Books.
The Circuit - originally written by Francisco Jimenez and now given a whole new life with illustrations by Celia Jacobs. The Circuit is a masterclass in biographical comics. Telling the story of a young Mexican immigrant and his family, readers are given access to intimate moments of his life in a new country, living in labor camps. The art and story work so beautifully in tandem, but the comic stands out for the depictions of the evocative intricacies of being alive. Train tracks rumbling under you, and the confusion of being surrounded by a language you don’t understand. The Circuit is rich with emotion and innocence, as an American, this feels like an absolute must read.
- Xenia “Xenon” Honchar
Temporal #1. Creative Team: Stephanie Williams, Asiah Fulmore, Becca Carey, D. J. Chavis. Published by Mad Cave Studios.
I can praise Stephanie Williams and her work indefinitely! This year though, Temporal takes the cake for a series that left a real mark on me. As I enter my mid-twenties, I have been in search of media that reflects young adulthood in its gloom and glory. Temporal reminded me that black women can deal with mid life crises too, and that we aren’t subject to being content with life just because it has more freedoms than those who came before us.
- Katelynn Virgous
20th Century Boy. Creative Team: Naoki Urasawa. Published by VIZ Media.
I started reading 20th Century Boys because some friends recommended it to me, saying it was something special, and once I began, I could not stop. Naoki Urasawa’s way of telling the story is almost addictive and always makes you want to keep reading. At times the plot can be a bit confusing, with many flashbacks and stories inside the story, but it never really ruined the experience for me. The tone is very dark, and that is exactly what I love about it. Between deadly viruses, world domination, and the fight to survive, the manga fully embraces its ideas and keeps the tension high.
- Rossano D’Angelo
Hey, Mary! Creative Team: Andrew Wheeler & Rye Hickman. Published by Oni Press.
There were lots of great reads in 2025, but few felt as comforting as Hey, Mary! As a cradle Catholic, growing up with the duality of faith while also being accepting of people from the LGBTQ+ community hasn’t been easy. I’ve felt at odds with the Church that raised me to love everyone for who they are while simultaneously preaching the opposite. Reading Hey, Mary! resonated with me as its discussion of faith and sexuality and the ability to coexist felt like a matter of fact rather than an opinion. Its honest and blunt story makes use of the history of prominent figures in Catholicism while never shying away from the fact that there should never be an expectation for anyone to deny their sexuality in order to feel close to their faith. I’ve mentioned in earlier reviews that this title is incredibly powerful and brave–and after some reflection, I still stand by that.
- Seth A. Romo
Good Girl Laika. Creative Team: J. Marshall Smith. Self Published.
Good Girl Laika is a wonderfully playful look into the daily life of the space dog: Laika. A real dog who was sent into space during the American / Russian space race and in this adorable comic is looking to come home. While silly and lighthearted, J Marshall Smith still delivers an incredibly touching ending for Laika. Space is so alive in this story, from the smile of the sun, to glittering stars, and dynamic galaxies. Though her sacrifice was noble and tragic, the real Laika was just a dog who wanted to do a good job. There are two topics that make me cry almost instantly, and Laika is one of them. It’s so wonderful to see her as a silly little dog playing around space and getting the love she truly deserves.
- Xenia “Xenon” Honchar
Bronze Faces. Creative Team: Shobo Coker, Shof Coker, Alexandre Tefenkgi, Lee Loughridge, Hassan Otsmane-Elhaou. Published by BOOM! Studios.
I love a good heist story and when I was recalling comics I read in 2025, Bronze Faces was a no-brainer to include on my favorites list. This series blends culture, art, and drama in ways that make it feel incredibly fresh. Characters are complex and the visuals make use of every piece of the page making each read a rewarding experience. The pacing is quick and energetic leaving the reader breathless as if they pulled off a complicated robbery on a speeding train. Bronze Faces was my favorite series premiere, and I can’t wait for the trade to be released in 2026.
- Seth A. Romo
SkipBeat! Creative Team: Yoshiki Nakamura. Published by Viz Media.
This early 2000s manga was a random library read that ended up being just what I needed. Reading SkipBeat! was like giving my inner teen a giant hug. So many of us sacrifice our own dreams to be a part of something or a part of someone’s life. Kyoko Mogami takes all her power back. This manga served as a note of vengeance to all the people who doubted my potential and made me feel small. Yoshiki Nakamura, Thank you for reminding me about self-compassion.
- Katelynn Virgous
Escape. Creative Team: Rick Remender, Daniel Acuña, Rus Wooton. Published by Image Comics.
I am usually not a big fan of war stories, but Escape immediately caught my attention thanks to its synopsis and, especially, its striking cover, which clearly hints at a raw story about survival. Daniel Acuña’s artwork and character designs are excellent, and I really liked the choice of making the main characters animals such as dogs, cats, and bats, which gives the book a unique identity. The drama told in this series feels powerful and emotional, even for someone who does not usually enjoy this kind of setting. The story manages to go beyond the war backdrop and focuses on the struggles of its characters. At the time of writing, the miniseries is still ongoing, and I cannot wait to have the final issue on the shelves of my local comic book store.
- Rossano D’Angelo
S.I.R. Creative Team: Fell Hound, Becca Carey, Ele Bruni, Freddie Tanto. Published by BOOM! Studios.
I’m not one to read teen drama stories, but what I am always down to read are creative and action packed stories. Fell Hound knows storytelling, but they also know how to create visually exciting set pieces. (And who wouldn’t appreciate a story with fighters jousting on motorcycles?!) Set at an exclusive academy and filled with romance and fights filled with steel against steel, S.I.R. (or seismic ironclash roulette) is where characters prove their worth–even if it means risking their lives. It’s arguably one of those fun weekend reads as the pacing, dialogue, and action are all very fast paced.
- Seth A. Romo
Cook Like Your Ancestors. Creative Team: Mariah-Rose Marie. Published by Silver Sprocket.
Cook Like Your Ancestors is a personal and warm recipe book that welcomes the reader into a myriad of different tastes from different cultures with a story behind each page. There is something for everyone in this book, and as someone who loves cooking and comics, there couldn’t be a more perfect combo! When I’m not talking about comics, I am a huge advocate for teaching people about cooking and nutrition. Mariah’s book does both in such an inspiring way. Each page is educational, beautiful and every recipe I have made from it has been an absolute hit! I lend this comic out often, and it feels so meaningful to get it back a little more loved each time.
- Xenia “Xenon” Honchar
Helen of Wyndhorn. Creative Team: Tom King, Bilquis Evely, Mat Lopes, Clayton Cowles. Published by Dark Horse Comics.
What first drew me to this book was the artwork. Bilquis Evely’s art, together with Matheus Lopes’ soft pastel colours, gives the story a dreamy feeling, as if it takes place between reality and fantasy. The use of colour makes the world feel magical and emotional at the same time. The open ending left me a bit unsure at first, but it does not take away from the beauty of the story.
- Rossano D’Angelo
Nightmare Inspector. Creative Team: Shin Mashiba. Published by VIZ Media.
I’ve always hated the realness of my nightmares: a cold sweat, heart pounding, and subconscious fears attempting to drown me out. But this before bed read offered me a solution and had me hanging onto every word Shin Mashiba wrote. The unique plot line captured my attention, but the art style and detailed nightmares kept it. Hiruko, a Baku that frequents the Gensiekan, seeks clients who are looking for relief while he is in search of nutrients.
- Katelynn Virgous
The Walking Dead. Creative Team: Robert Kirkman, Tony Moore, Charlie Adlard. Published by Image Comics.
I started reading The Walking Dead after a friend who knows my taste very well recommended it to me, and he absolutely got it right. The story takes place in a world where society has completely collapsed and survival often means making very hard choices. You can really feel the struggle of the characters as they try to stay alive in a world full of zombies and constant danger. The tone is harsh and realistic, and the violence never feels pointless, but instead part of that broken world. Choosing the Deluxe Edition was the best decision, because the use of colour adds an extra layer to the story and makes everything feel even more intense.
- Rossano D’Angelo
Kaijus & Cowboys. Creative Team: Matthew Blair, Frankie B. Washington, Mike Stock. Published by Cambrian Comics.
Comics and sequential art have the ability to be whatever they want, and sometimes a fun and bombastic story is exactly what readers may be looking for. Cue Kaiju & Cowboys–an over the top monster vs robot story filled with action, bullets, and mayhem. Don’t let the title deceive you, there is plenty of lore to keep interest piqued, and the homages to spaghetti westerns from the 60s are nice touches to the chaos on the page. You won’t regret checking out Kaijus & Cowboys and may even find yourself cheering as KRAKOOOMS take over the page and rock, debris, and explosions cover every corner.
- Seth A. Romo
Into the Unbeing: Part Two. Creative Team: Zac Thompson, Hayden Sherman, Jim Campbell. Published by Dark Horse Comics.
Zac Thompson has easily risen in the ranks of my favorite writers whom I will dive into whatever series he comes up with. I love a series that feels imaginative and doesn’t hold the reader’s hand but instead puts them into atmospheric tension. While Blow Away was a close contender for top read of 2025, Into the Unbeing Part Two felt claustrophobic and combined with Hayden Sherman’s art, was equally beautiful as it was haunting. This sequel does what few follow ups do in that it surpasses the first volume in all the best creepy ways.
- Seth A. Romo
Orphans of the Impact Winter. Creative Team: Lee A. Carlisle, Ross Carlisle, Marina Goncalves, Marco Ventura. Self Published.
Heartbreak and hope go hand in hand in Orphans of the Impact Winter. The premise is relatively simple: A young boy and his dog must survive the apocalypse. While the story is rich in how it discusses trauma from the perspective of children and the visuals add a nice duality of styles, at its core is a special tale of survival and the importance of innocence in a failed world. The full volume is now released and issue #6 is (I believe) in production. When it comes to a small press title that sets a really high standard–look no further than Orphans of the Impact Winter.
- Seth A. Romo
Pepper Piper Vol 2. Creative Team: Vashmere Valentine, P.R. Dedelis, John Casey Orozco. Published by Next Step Comics.
Pepper Piper was the first time I saw someone who looked like me as the main character of a comic. Their snarkiness and self-starting attitude is contagious, leaving me ready to join them on the next battle against W.H.O. Pepper Piper not only looked like me, but identified closely with me being queer and a member of Gen Z. Not JUST this, but they are written by someone who is black. Thank you Vashmere Valentine for seeing us and creating something for us.
- Katelynn Virgous
Major Thomás. Creative Team: Omar Morales, Serg Acuna, Mau Mora. Published by ComiXology Originals.
Major Thomás was an incredibly refreshing read for me as it’s not often that graphic novels feature a Latinx lead. While Thomás’ background as a Mexican American is rooted in growing up in a household whose income relies on Migrant work, the story never leans into tropes of the “immigrant story” and instead takes an inverse approach as Thomás is selected to be part of a premiere NASA program to travel at light speed to worlds unknown. Filled with layers and themes, this title isn’t afraid to call out racism and xenophobia, nor does it forget that readers are witnessing Thomás exploring unknown cosmic territories. The balance of emotions while incorporating action set pieces as Thomás battles creatures in order to survive, this story keeps readers guessing–especially by the last few pages.
- Seth A. Romo
Kylooe. Creative Team: Little Thunder. Published by Dark Horse Comics.
I love when a comic rewards readers who take their time to experience the art and story. Kylooe was a graphic novel I read purely based on the cover and by the last page I couldn’t think of a better recent example of poetry and visuals working together so fluidly. This comic is a culmination of stories thematically centered on dreams and the mascot, or “Kylooe,” that loosely connects them. Each story has its own motives and emotional contexts and gives a rich platform for readers to consider thought-provoking considerations about how people engage with each other even when cruelty is never far.
- Seth A. Romo
The Canary that Named the Stars. Creative Team: Travis Corwin, RH Stewart, Rob Jones. Published by Never Was Comics.
Rarely has a comic left me silent for a period of time after finishing its story. In the case of The Canary that Named the Stars, this comic challenges readers to consider how they view the world as they traverse a fantastical land where stories never existed. It speaks to the discussion of how tragedy, love, and inspiration are remembered and the importance of tales for humanity. At times unforgiving, this small press title is worth taking time to explore.
- Seth A. Romo
From The DeMonster and Pages and Panels, we thank you for checking out our list of Favorite Reads of 2025 and look forward to the new stories to experience in the new year.
The DeMonster, founded by Sami DeMonster, is a newsletter and publication designed to bring you passionate editorials and interviews about nerd and pop culture—with an emphasis on comic books. The team includes Sami and Christian Angeles. Christian Angeles is a writer and entertainment journalist with nearly a decade of experience covering comics, video games, and digital media. He was senior editor at The Beat during its Eisner Award–winning year and also served as managing editor of The Workprint. Outside of journalism, he writes comics and books.
Pages-and-Panels.com believes in celebrating stories, the people who tell them, and the people who love them. We are a Comic Book Roundup approved website specializing in small press and indie comic book reviews, interviews, and more. The team consists of Seth A. Romo (Editor-in-Chief) and a team of wonder writers: Katelynn Virgous, Rossano D’Angel, and Xenia “Xenon” Honchar.
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